'A Rose for Emily and The Thorn'

'On the surface, the literary pieces A blush for Emily, by William Faulkner and The pricker, by William Wordsworth, appear to be very antithetical works of literature. A Rose for Emily, is a gray mediaeval short storey scripted in 1930 about a wo piece of music refusing to vary with the times and change state the center of topical anaesthetic gossip. The Thorn  was written by the wild-eyed poet William Wordsworth about a middle-aged man and his experience law-abiding a womans worked up breakdown. Though the settings for A Rose for Emily  and The Thorn  and the time goal they were written in atomic number 18 different, two works consider similarities in wrong of themes, symbolism, negative influences of males, and narration.\nThe literary genres of Faulkners and Wordsworths period be reflected in their literature. The characteristics of southerly Gothic, the subgenre of Gothic fiction, are prevalent end-to-end much of Faulkners work, fashioning him one o f the severalise authors of the field. such features of Confederate Gothic embarrass deeply flaw characters, ambivalent sexual urge roles, derelict settings, and situations that involve crime and violence, poverty, and alienation. These features form the entirety of A Rose for Emily  and march on reflect Confederate Gothics notions of depicting the rot of southern aristocracy. The main character Emily Grierson is a relic of the Souths last(prenominal) and is never equal to move forrader in her life. The sr. world or so her crumbles and withers scantily as the at a time proud syndicate she lives in deteriorates with the expiration of time. The presence of expiration is apparent throughout the story and is another(prenominal) element express in Southern Gothic works. Such features of death and the sorcerous are withal present in Romantic literature.\n love affair came about as a rebelliousness of the scientific systematization of the Enlightenment occlusi on by locomote to aesthetic experiences of bewilderment and wonder that had not been seen since the Renaissance. Romantic writers s... '