The Connection of Mortality with One’s Love of Life in T.S. Eliots The Wasteland and Yulisa Amadu Maddys No Past No Present No Future :: Eliot Wasteland Maddy No Past Present Essays

The Connection of Mortality with Ones Love of life storytime in T.S. Eliots The Wasteland and Yulisa Amadu Maddys No chivalric No Present No FutureThrough many writers works the correlation of mortality and deal of life is strongly enforced. This connection is star that is light-colored to illustrate and easy to grasp because it is experienced by humans daily. For instance, when a loved one passes a instruction, even though there is time for mourning, there is also an nimble appreciation for ones life merely because they are living. In turn, the correspondence of mortality and a stronger love for life is also translucent in every day life when things get hard and indeed one is confronted by some one else whom has an even bigger problem, and whence making the original problem seem minute. This is seen as making the worst look worse so therefore the bad looks true and the good looks even better. The connection of mortality and ones love for life is seen in both T.S. Eliot s The Wasteland and Yulisa Amadu Maddys No Past No Present No Future. Eliots words I leave behind show you fear in a handful of sprinkle succeed much of his attitude during the poem The Waste Land. This quote can be interpreted in different ways. One way is that the dust Eliot mentions is a symbol for humans starting as dust and returning to dust in death. Therefore, the quote would be expressing the timbering of fearing death. By exemplifying this fear, Eliot then enables his audience to take it further to appreciating life because the only other survival is death. In Eliots The Wasteland, It seems as if the to a greater extent his world is falling apart, the more he wants to break it blue and find what really matters or what he really needs to continue living and to truly appreciate life. As he examines his surroundings, he realizes so much of it is in ruins, and that alone makes him feel as though his own life is slipping away, as if he does not even control his own fate. E liot also realizes how upside down and backward his world is now functioning. Everything that was at a time right is now wrong, and everything that once seemed moral is not moral any more. Once this is brought to his attention, Eliot decides the only way to overcome this is to do away with the bad and keep only the good, then reforming the old into a new overall positive and secure regulate of true life.